Presented in collaboration with Bike New York
Ride Date: Saturday, September 21, 2019 at 5p
Meeting: Corner of Water and Fletcher streets
Ride Length: 8 miles
Through the first half of the 20th century, New York’s surrounding ocean served as the city’s primary site for waste disposal. “At one point, as much as 80% of New York’s garbage ended up out at sea; however, in what was surely its most enduring waste management initiative, New York City used some of its garbage (mostly ash, rubble, and other debris) to create artificial land, thereby increasing its own size.” (Guardian, Max Galka, 27 Oct 2016).
Using the “original” shoreline of Lower Manhattan as a starting point, Vačkář led riders along the perimeter of 1600’s New York. Eventually extending onto artificial land, Manhattan’s existing shore, the group traveled between predetermined stopping points, providing an occasion for collective reflection, conversation, and performance.
At each stop, participants were asked to wear garments, designed and produced by the artist, constructed with recycled trash bags, hygienically cleaned. Adorned in recycled waste, several riders were asked to recite a dadaist poem (composed, in real-time, by the artist with the help of an algorithm) formed using of names of chemical substances found in common toiletries (ie. sunscreen, hand sanitizer, shampoo, etc). In addition to a roaming performance, Vačkář led participants in a discussion on the relationship between design, ecology, and recycling.
As with much of his practice, Vačkář’s ride intended to emphasize the urgency of environmental consciousness and the ways in which such an awareness can be achieved through something as simple as a bike ride. Following the ride, the artist produce a small edition of posters featuring the poems composed and recited by participants during the ride.
ABOUT THE ARTIST
Adam Vačkář was born in Prague, in 1979. Vačkář’s work focuses on the development of new materialism caused by production for mass society; the devastation caused by industrialization; technologies of mass production and distribution; the transformation of living tissue into a plastic medium; and the transformation of landscapes. He is a graduate of the École nationale supérieure des beaux-arts, in Paris, and was later an artist-in-residence at the Palais de Tokyo. His work has been exhibited at the Centre Pompidou, Centre Pompidou Metz, Palais de Tokyo, Bucharest Triennial, Prague Triennial, City Gallery Prague, National Gallery in Prague, Art Basel -Statements and Film, Cologne Kunstverein, Museum Morsbroich, among others.